Friday 27/February/2026 – 09:28 AM
Artist Sobhi Khalil confirmed that the idea of artistic works topping the trend no longer always reflects true success, pointing out that some works may depend on financial factors for promotion in order to occupy the forefront of the scene.
Sobhi Khalil said, in exclusive statements to Cairo 24, that the trend at the present time may sometimes be linked to paid promotion, explaining: Unfortunately, the trend has sometimes become linked to financial factors, as some may seek paid promotion in order to be at the forefront of the scene, but in the end, the audience remains the real judge, and it is they who determine the value of the work.
He added that the true success of any artistic work is not measured only by the number of views or its number on social media sites, but rather by the extent of its impact on the audience and its continuity.
On the other hand, Sobhi Khalil spoke about his rituals during the month of Ramadan, stressing that during the holy month he is keen to adhere to prayer and reading the Holy Quran, considering Ramadan an opportunity to get closer to God and self-reflection, pointing out that he also uses the month as an opportunity to lose weight and maintain his health.
The works of Sobhi Khalil
It is noteworthy that Sobhi Khalil participated in the series We Forget What Was, which is currently being shown as part of the 2026 Ramadan race.
The We Forget series, starring Yasmine Abdel Aziz, Karim Fahmy, Khaled Sarhan, Mohamed Lotfy, Laila Ezz Al Arab, Menna Fadali, Edward, Angie Kiwan, Elham Wagdy, Mahmoud Hafez, Sherine Reda.
The events revolve around, under the lights of fame that never sleeps, the star Jalila finds herself trapped in the net of a mysterious threat that turns her life into an arena of persecution, and here her path intersects with Badr, a professional fighter who retired from the ring and finds himself in a confrontation of a different kind as her bodyguard.
As the pace of danger escalates, the boundaries between duty and feelings dissolve, turning Badr from a protective shield into a partner in a battle of love that is not subject to the rules of martial arts, where preserving love becomes much more difficult than preserving life.
